In reflecting on why it is that Christians are drawn to the Psalms the great English preacher, John Stott, concluded that it is because they “…speak the universal language of the soul.”
In them we stare down the barrel of the full range of human experience and emotion, and they are well, frankly, honest…sometimes uncomfortably so. The early church Father, Athanasius, was right on the money with his remark that in them “…nothing contained in human life is omitted.”
Unaware of this it may come as a shock for some who stumble across the Psalms for the first time to find that a large chunk are actually sad songs, or laments. But once it is understood that these are songs in the key of honesty – rather than unfaithful or negative confessions – it is possible to come to accept, and perhaps even love, the Psalms of lament; they give voice to common experience, and we can allow them to speak for us…
However, coping with lament is one thing – but what about those Psalms that put the boot into the opposition? I mean, as a Christian is it really ok to say ‘that’?
In this series of three posts I will approach this topic from three angles, examining;
1. The identity of the enemies in the Psalter,
2. The Psalmist’s attitude towards them, and
3. Conclude by reflecting on how these attitudes may (or may not) be compatible with the New Testament’s teaching on the treatment of enemies.
Introduction.
One of the thorniest issues in the Psalms is the place that the ‘enemies’ occupy in these prayers of the ‘people of God’.[1] References to hostile opponents abound, and whether they are in immediate view, or lingering in the background,[2] these characters play a structural and necessary role in the general form of these prayers.[3] As one scholar has concluded, “…The one praying and his or her enemies – that, in short, is the dominant theme of the Psalter.”[4]
The enemies function in these poems both as vindictive initiators of malice and injury, but also, and more troublingly from a Christian perspective, as intended targets of vengeance and animosity – and the church has long wrestled to make sense of this apparent disparity between the gospel ethic and these prickly themes of the Psalter.
Who are the enemies?
Bernard Anderson, for one, has spoken of the ‘conventional monotony’ and the ‘confusing variety’ associated with the definition of the enemies in the poems of lament[5] – a feature consistent throughout the Psalms. So while the presence of enemies is a prominent characteristic of the landscape of the Psalter quite who, or what they are, is something of an elusive matter that scholars have debated.
Communal Psalms.
In the communal Psalms the enemies figure most prominently in the laments, but they also appear in other categories, such as the royal Psalms and the songs of praise.[6] They are often characterised as hostile foreign powers; national and political adversaries who may, as is indicated in a number of the laments, have dealt severe blows to Israel[7] or present them with such a threat.[8] Frequently they are depicted as ‘heathen’ nations that “…do not know Yahweh and do not call on His name.”[9]
These foreign peoples, who appear hostile to Israel and Judah, are at times represented by reference to their kings or rulers, and are occasionally identified directly.[10] For example, Edom is named as a national enemy in Psalm 60:9, as are Assyria and its allies in Psalm 83:5-8, and Babylon in Psalm 137:9.[11] In the majority of cases, however, there is a lack of clear concrete historical reference, and the language employed is generalised. This means that the identity of the particular enemy remains unknown, but it affords the Psalm flexibility, enabling it to be adapted for use in different contexts.[12]
Individual Psalms.
Numerous theories have been offered as to the identity of the enemies in the individual Psalms,[13] ranging from individuals within the Israelite community to mythological and ‘other worldly’ powers.[14]
Birkeland concluded that the enemies depicted in individual laments were the same as in their communal counterparts, and so he considered them to be predominantly ‘foreigners’.[15] He noted that in a number of the personal Psalms[16] the enemy were clearly identified as foreign, and in these cases the ‘speaker’ of the lament should be regarded as someone, likely the king, performing a representative function on behalf of the nation.[17]
Whilst others acknowledge the presence of ‘foreign’ enemies in some of the individual lament Psalms, they assert that Birkeland’s claim was an overstatement, as Tate counters: “…Although the ‘nations’ may appear in these Psalms (9:16, 59:9), the evil of the enemies in the individual laments seems more personal than national.”[18]
At the other end of the spectrum are those scholars who consider the enemies in the individual Psalms to be members of the community of Israel. These have been variously ‘identified’ as opposing parties in early post-exilic Judaism,[19] or members of a pro-Hellenistic party, a proposition offered by Duhm, based on his late dating of the psalms to the period of the Maccabees.[20]
Westermann, for example, held the view that the Psalmist and the enemy were compatriots, belonging to the same community of Israel, grounded in relationship and orientation toward Yahweh.[21] In this way he deviated sharply from the ideas of Birkeland, and also in his suggestion that the lamenter was a solitary figure, unconnected to other parties or causes. The conflict expressed then, in this view, was not religious, political, international or domestic in nature and waged between opposing groups, but grounded in interpersonal conflict between members of the same community.[22]
Schmidt and Beyerlin’s form-critical approach posits that the identity of the enemy can be best understood in relation to Jewish ‘institutional contexts’, such as the judicial process.[23] In a number of places the Psalmist is envisaged as a defendant pleading their case before Yahweh, the divine judge, in the temple ‘courtroom’. In Psalms 3, 17 and 27 for example, as they await the passing of the divine verdict, the Psalmist speaks, safe for the moment from the murderous hands, slanderous lies and defamation of their accusers.[24]
Kraus also mentions Schmidt in connection with another of these sacral Jewish institutions that he felt illuminated the identity of the enemy in the individual Psalms; the cleansing of the sick.[25] In these instances the Psalmist’s issue was one of illness, which the enemies interpret as a sign of the judgment of God, prompting them to issue unfounded and defamatory accusations of sin and guilt.[26] The enemy hostility is designed to compound the sense of weakness and helplessness felt by the Psalmist, who may have even gone to the sanctuary in hope of some restorative divine visitation,[27] and sow the thought that the “…sickness is a sign of being forsaken by God.”[28]
Alternatively Mowinckel suggested that the enemies could be best understood as sorcerers, or practitioners of black magic, who had cursed the ‘righteous’ Psalmist.[29] In his later work he broadened this perspective, moving away from seeing the enemy as a particular class of ‘magician’, to endorse the view that any individual was able to enhance their hostility with the use of stock occultic forms like evil words, bad wishes and potent ceremonies.[30]
Kraus also alludes to this kind of interpretation, considering the translation of the description of the enemies as ‘evildoers’ too weak – and detecting in their depictions a dark, demonic ‘primeval uncanniness’.[31]
Transcendent imagery.
In reflecting on the often exaggerated and larger than life features of the hostile forces within the Psalter, scholars have questioned whether the enemies are really even human[32] – for there seems, at times, to be something ‘other worldly’ about these adversaries. That is not to deny specific occasions where human opposition is plainly in view, but to recognize that, to some degree, the enemies can be also be understood to be personifications of evil; stylized representations of the forces of darkness and chaos at work in the world.[33]
In keeping with this transcendent imagery the Psalter also contains figurative reference to ‘primeval foes’, whose identity is neither national nor personal, but whose hostility is also set “…within the context of the reign of the Lord.”[34] Psalm 74, for example, speaks of Leviathan, the type of enemy power who threatens to bring chaos and destruction to the good order of the world in which Yahweh reigns.[35]
Kraus suggests that these mythical metaphors serve to highlight the great power of Yahweh,[36] as well as hinting that the identity of the enemies transcends the purely earthly and human. In regards to this he comments: “…All opponents who rise up against Yahweh, his anointed, his people, and his servant are powers of Sheol and forces of death. The foes of the individual are humans, but their nature and work are surrounded by an eerie darkness that has come from the mythical tradition.”[37]
In summary Tate suggests maintaining a wide range of interpretation in terms of the identity of the enemies, which factors in both the human foes detailed, along with the mythical agents of death and chaos.[38]
In part 2 I will look at the attitude of the Psalmist to “the enemies”…
[1] Bernhard W. Anderson and Steven Bishop.
Out of the Depths: The Psalms Speak for Us Today (Louisville, Ky: Westminster John Knox Press, 2000), 65.
[2] This is even the case with the most ‘intimate of Psalms’ like Psalm 23. Erich Zenger, A God of Vengeance?: Understanding the Psalms of Divine Wrath (Louisville, Ky: Westminster John Knox Press, 1996), 10-11.
[3] James Luther Mays, The Lord Reigns: A Theological Handbook to the Psalms (Louisville, Ky: Westminster John Knox Press, 1994), 36.
[4] Norbert Lohfink, “Was wird anders bei kanonischer Schriftauslegung? Beobachtungen am Beispiel von Ps. 6,” JBTh 3 (1988): 36; quoted in Zenger, “A God of Vengeance?: Understanding the Psalms of Divine Wrath,” 12.
[5] W. H. Bellinger, Psalms: Reading and Studying the Book of Praises (Peabody, Mass: Hendrickson Publishers, 1990), 53.
[6] Hans-Joachim Kraus and Keith R. Crim. Theology of the Psalms (Minneapolis: Augsburg Pub. House, 1986), 126-27.
[7] Claus Westermann, Praise and Lament in the Psalms (Atlanta, Ga: J. Knox Press, 1981), 193.
[8] Johnston and Firth, “Interpreting the Psalms: Issues and Approaches,” 75.
[9] Psalm 79:6. W. D. Tucker Jr., “Theological Themes in the Psalter,” in Dictionary of the Old Testament: Wisdom, Poetry & Writings, ed. Tremper Longman and Peter Enns (Downers Grove, Ill: IVP Academic, 2008), 591.
[10] Kraus and Crim, “Theology of the Psalms,” 126.
[11] Johnston and Firth, “Interpreting the Psalms: Issues and Approaches,” 75.
[12] Anderson and Bishop, “Out of the Depths: The Psalms Speak for Us Today,” 57.
[13] Tate, “Psalms. 51-100. Word Biblical commentary, v. 20,” 62.
[14] ibid.
[15] John Day, Psalms. Old Testament guides (Sheffield: Sheffield Acad. Press, 1996), 22-3.
[16] Such as Psalms 9,10 and 59.
[17] Day, “Psalms. Old Testament guides,” 22.
[18] Tate, “Psalms. 51-100. Word Biblical commentary, v. 20,” 61.
[19] Bellinger, “Psalms: Reading and Studying the Book of Praises,” 17,52.
[20] Kraus and Crim, “Theology of the Psalms,” 125.
[21] Westermann, “Praise and Lament in the Psalms,” 193-94.
[22] ibid. For example, he considered Psalm 73 to express the heart of an impious individual who derided the Psalmist for their ongoing commitment to Yahweh. Tate, “Psalms. 51-100. Word Biblical commentary, v. 20,” 62.
[23] Kraus and Crim, “Theology of the Psalms,” 132.
[24] Kraus and Crim, “Theology of the Psalms,” 131-32.
[25] ibid., 132.
[26] Tate, “Psalms. 51-100. Word Biblical commentary, v. 20,” 62.
[27] “Seybold maintains that the sick person would not have been in a position to do so and that these psalms would have been recited at home, though he thinks a representative of the sick man may have recited a psalm in the cult.” Day, “Psalms. Old Testament guides,” 27.
[28] Kraus and Crim, “Theology of the Psalms,” 132.
[29] Bellinger, “Psalms: Reading and Studying the Book of Praises,” 52.
[30] Tate, “Psalms. 51-100. Word Biblical commentary, v. 20,” 63.
[31] Kraus and Crim, “Theology of the Psalms,” 131.
[32] Roland Edmund Murphy, The Gift of the Psalms (Peabody, Mass: Hendrickson Publishers, 2003), 46.
[33] ibid., 46-7.
[34] James Luther Mays, Psalms. Interpretation, a Bible commentary for teaching and preaching (Louisville: John Knox Press, 1994), 35.
[35] W. D. Tucker Jr., “Theological Themes in the Psalter,” in Dictionary of the Old Testament: Wisdom, Poetry & Writings, ed. Tremper Longman and Peter Enns (Downers Grove, Ill: IVP Academic, 2008), 591.
[36] Kraus and Crim, “Theology of the Psalms,” 129.
[37] ibid., 134.
[38] Tate, “Psalms. 51-100. Word Biblical commentary, v. 20,” 64.